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Vangelis Athanassopoulos, Language, Visuality, and the Body. On the Return of Discourse in Contemporary Performance, Journal of Aesthetics & Culture, vol. 5, no. 1, 2015
J.L. Austin and J.O. Urmson, How to Do Things with Words: The William James Lectures Delivered at Harvard University in 1955, Oxford University Press, 1976
M.M. Bakhtin, Speech Genres and Other Late Essays, University of Texas Press, 2010
Sam Belinfante and Joseph Kohlmaier (eds.), The Listening Reader, Cours de Poétique, 2016
Jonathan Beller, The Cinematic Mode of Production, Dartmouth College Press, 2012
Hans Belting, Bodies and Pictures: Toward an Anthropology of the Image, Columbia University Press, 2016
Maurice Blanchot, The Infinite Conversation, University of Minnesota Press, 1992
Jeroen Boomgaard and Rogier Brom (eds.), Being Public: How Art Creates the Public, Valiz, 2017
Sezgin Boynik and Minna L. Henriksson, Noise After Babel: Language Unrestrained, Spector Books, 2015
Judith Butler, Excitable Speech: A Politics of the Performative, Routledge, 1997
Adriana Cavarero, For More than One Voice: Toward a Philosophy of Vocal Expression, Stanford University Press, 2005
Michel Chion, The Voice in Cinema, Columbia University Press, 1982
Ronald E. Day, The Modern Invention of Information: Discourse, History, and Power, Southern Illinois University Press, 2001
Gilles Deleuze, Difference and Repetition, Columbia University Press, 1994
Jacques Derrida, Speech and Phenomena, and Other Essays on Husserl’s Theory of Signs, Northwestern University Press, 1973
Julia Eckhart (ed.), Grounds for Possible Music: On Gender, Voice, Language, and Identity, Errant Bodies Press, 2018
Kodwo Eshun and Ros Gray, The Militant Image: A Ciné‐Geography, Third Text, 2011
Norman Fairclough, Analysing Discourse: Textual Analysis for Social Research, Routledge, 2003
Hal Foster, The Artist as Ethnographer?, 1995
Rike Frank, When Form Starts Talking: On Lecture-Performances, Afterall Journal, Issue 33, 2013
Alfred Gell, Art and Agency: An Anthropological Theory, Oxford University Press, 1998
Kenneth Goldsmith, Uncreative Writing: Managing Language in the Digital Age, Columbia University Press, 2011
David Graeber, Debt: The First 5000 Years, Melville House Publishing, 2011
David Graeber, The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy, Melville House Publishing, 2015
Anthony R. Guneratne and Wimal Dissanayake, Rethinking Third Cinema, Routledge, 2003
Milena Hoegsberg and Cora Fisher (eds.), Living Labor, Sternberg Press, 2013
Yazan Khalili, Freedom of Speech, Freedom of Noise, e-flux Journal #97, 2019
Brandon LaBelle, Acoustic Territories: Sound Culture and Everyday Life, Continuum, 2010
Brandon LaBelle, Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary, Bloomsbury Academic, 2014
André Leroi-Gourhan, Gesture and Speech, The MIT Press, 1993
Tine Melzer, Taxidermy for Language-Animals, Rollo Press, 2015
Caroline Profanter, Henry Andersen and Julia Eckhardt (eds.), The Middle Matter: Sound as Interstice, umland, 2019
Jacques Rancière, Emancipated Spectator, Verso Books, 2008
Research Center For Proxy Politics, Proxy Politics: Power and Subversion in a Networked Age, Archive Books, 2017
Lev Semenovich Vygotsky, Thought and Language, The MIT Press, 1962
B.F. Skinner, Science and Human Behavior, Classics of Medicine Library, 2000
Lisette Smits (ed.), Master of Voice, Sandberg Instituut and Sternberg Press, 2020
Monika Szewczyk, Art of Conversation, Part I, e-flux Journal #03, 2009
Nato Thompson, Seeing Power: Art and Activism in the 21st Century, Melville House, 2014
Joanna Thornborrow, The Discourse of Public Participation Media: From Talk Show to Twitter, Routledge, 2014
Trevin Scholz (ed.), Digital Labor: The Internet as Playground and Factory, Routledge, 2013
Paolo Virno, A Grammar of the Multitude, The MIT Press, 2004
Paolo Virno, When the Word Becomes Flesh: Language and Human Nature, The MIT Press, 2015
Paul Werth, Text Worlds: Representing Conceptual Space in Discourse, Pearson Education Limited, 1999